AP PORTFOLIO DEVELOPMENT
Sean Yukler, 2024-2025
My inquiry revolved around the question: "Through human and skeletal portraiture and anatomy, how can we tackle the finality of death?"
Most people fear the very idea of dying. We cling to life as much as possible by buying into consumer culture, keeping up with our favorite celebrities, and caring too much about what others say about us in the present rather than focusing on the future. A big struggle of mine is establishing a clear connection between human anatomy (emphasis on accuracy and proportion of face, flesh, skin, and hair), vs. human structure (skeleton, bone, muscles, dramatic poses).

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The top left is Vincent Van Gough's "Skull of a Skeleton with Burning Cigarette." Meant to showcase the similarities between life and death, showing how they're not so different after all
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With the Sharks hockey team logo and the charcoal background, I wanted to experiment with different media (charcoal and ink) and the contrast between extremely dark colors with lighter shades of grey and white
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Rumi's poem, "On the Day I Die," associates ideas of joy and rebirth with death. "Death is a coming together" he claims.

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Jon Bernthal's character in the Netflix show, The Punisher spun a new idea of death
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The show revolved around Bernthal's character, Frank Castle, brutally killing and torturing various criminals, murderers, gang leaders, and corrupt government officials.
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Castle's character revolves around "punishing" those for their crimes by taking their lives
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His character often wears a skull on his vest, (labeled as a memento mori) which is meant to intimidate and traumatize his victims
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What does this say about the idea of death?

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Top left and bottom left references explore animal skeletons
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Further explored this idea with a quick sketch of a deer skull (possible relation between human death and animal death?)
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Top right image implements color with an otherwise black-and-white color scheme (encourages me to add a splash of color to my pieces, could be used symbolically)
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Dramatic contrast and hatching techniques with black-and-white portrait (Inspires new techniques and ways to convey shadows)

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More dramatic poses and contrast
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Main focus of the page is the reference and sketch of Ghost Rider, a MARVEL comic book superhero
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Much like Van Gough's "Skull of a Skeleton with Burning Cigarette," I was interested in the liveliness of a character that's seemingly undead
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Sporting a black leather jacket and a classic dirtbike, most people seem to find him "cool"
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Poses a new question; Why do some take an interest in the imagery of death and skeletons while others are intimidated by it?

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Two sketches of two arguably well-known movie characters; Javier Bardem as Anton Chigurh from No Country for Old Men and Joaquin Phoenix as Arthur Fleck from 2019's Joker
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Both are murderers; Fleck is showcased as a loner shunned by society who eventually snaps and becomes deranged
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More interesting, however, is Bardem's Anton Chigurh; the agent of death who plays the hand of God and kills for necessity
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Death vs murder; Is a fear of murder a fear of death?

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Last page acts as a final "photo dump" for unutilized references and ideas
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All in black and white except for the last one, which has a blue-gray filter over it
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Text at the bottom of the page reads, "We keep having to look for celebrities and our meaning in them, when true meaning is in our core, (and) in our bones."
PAST WORKS THAT FIT THE INQUIRY

Grid drawing of Samuel L. Jackson from Art 1 demonstrates proficiency in shading and contrast and human proportions.

Diptych of a boxer from Art 2 displays great lighting and how it affects a subject. Dramatic pose could serve as inspiration.

Quick study of a human skeleton from Art 2 sketchbook is by far the most helpful, as it serves as a reference to the skeletal structure